
You book the model first and owe the fee whatever the turnout, so the count of easels sold is the number worth watching.
Online booking
The arts centre room might hold twenty and draw well at twelve. Publish the twelve and let it fall as each easel is claimed.
Learn moreOne arts centre diary
A weekly untutored group, a tutored workshop and a Saturday sitting share one timetable, so the room and the model are booked once.
Learn moreBuilt for you
Timed poses, no tutor, the same faces since September. They claim an easel beforehand rather than arriving to find none free.
Teaching changes the price and the room alike, so it runs as a separate sitting with fewer easels and more space at each one.
A run of dated evenings taken as a single standing weekly booking, so the term lands in the diary without being typed in again.
The places with a clear view go first. Cap at those and what you publish is what somebody can genuinely draw from all evening.
The group often follows one particular model. Keep the name and the agreed rate on the sitting so it is set up as they expect.
The room is owed for the evening whether it fills or not, a second fixed cost easier to face early than on the night itself.
One pose held right across a day, priced apart from an evening and set up with the drapes, the stand and the lighting it needs.
What has to be out and warm before the first pose sits in a note on the sitting, not with whoever happens to have a key.
One person books on behalf of everyone, so the quote goes out first and the model is engaged only once it is accepted.
The fee is owed even when it does not run. A single cancellation carries the easels, the money and the history along with it.
The model is engaged and owed before an artist books a thing, so this page is built around covering that.
Sell one evening or a full winter term, keep the standing Thursday repeating on the Free plan, and send a group a quote before anybody at all is engaged.
See it in action
Schedule
Each session shows the easels sold against the easels you have, so two days out you can see the Wednesday sitting at eleven of sixteen and decide whether to push it or pull it.
Instant booking
A regular books their place and pays for it rather than turning up out of habit, so the number in front of you on the afternoon is the number that will be drawing.
Get paid
Places are charged as they are booked, so the fixed cost of the night is met by money already taken. A private group session is quoted with the model fee itemised.
Less admin, more bookings
The day shows the sitting, who is modelling, how many easels are gone, and how much of the evening is already paid for.
A room that seats twenty draws properly at twelve. Publish twelve and there is no thirteenth appearing on the evening itself.
The model is owed the agreed fee whatever happens, so the figure that counts is how many easels have actually been paid for.
Set up in minutes. 200 bookings a month free, no card needed.
One app for every booking
What you publish is the ceiling. The sitting stops taking bookings on the final easel, whatever the room would hold if people sat closer.
Turn on a reminder and everyone booked has the evening, the time and what to bring by email, with nothing written out one by one.
Set the count to the easels with a clear view of the stand. Confirmed bookings count down against it and the sitting closes on the final one.
Yes. Standing bookings are on Free: weekly or monthly, running with no end, finishing on a chosen date, or after a set number of evenings.
With Pro the artist pays the full place fee by card at the point of booking. On Free you note cash and a bank transfer onto the sitting yourself.
They work best that way. Each is its own sitting with a price, a number of easels and a layout of its own, on the one timetable.
Yes. Name the model, the room and any teaching on the quote, send it, and the accepted version stays attached to the booking.
The easel goes back to the available count and the evening shows one more open, while the money and the history stay on one record.