
A school-event lighting case and a festival stage consume different trucks and crew time. Keep every rented line accounted for.
Online hire requests
A request for lighting package starts with one ZIP code and live time for the selected production kit.
Learn moreOne live hire diary
The complete production kit hire stays on the diary from warehouse test and load through the cable and deck count, keeping the gap honest.
Learn moreOn the van Wednesday, built Thursday, gala Friday, back in the warehouse Saturday afternoon. Block only the Friday and your stock list is a work of fiction.
The days either side hold the stock as firmly as the event does, so the second enquiry for that weekend gets an answer you can honour.
Identical stock is counted rather than tracked, so a hire takes twelve fixtures off the number and nobody is picking serial numbers.
A confirmed build removes the kit from load-out to return, so the deck on a van on Thursday is not still bookable on the page.
Built for your warehouse
Reserve fixtures, stands and cables through load-out, show and warehouse count.
Keep deck quantities and ZIP-code delivery on the accepted estimate.
Estimate lighting and stage packages separately.
The community-festival stage: hold the production kit after hand-back for cleaning and inspection before the next handover.
A school-event lighting package: public booking captures one ZIP code; staff add later delivery or return details to notes.
A corporate-show combination: repeat this job on one chosen weekday weekly or fortnightly, ending with the arrangement.
The community-festival stage: keep both alternatives on the estimate, letting the organizer approve the suitable service lines online.
A school-event lighting package: record the offline receipt and leave the remaining amount visible without creating a card transaction.
A corporate-show combination: keep the return note on the booking and extend unavailable time when inspection prevents the next turnaround.
The community-festival stage: if the booking cancels, release only that unit’s interval; neighbouring hires remain where they were.
The complete production kit hire occupies the selected production kit through the cable and deck count, with first address and contact ready.
Rig, crew, transport and derig on one document the producer approves online, with the accepted version kept against the booking.
A school-event lighting package: the accepted estimate and manually recorded check payment keep one amount visible while settlement remains offline.
A school-event lighting package: keep the accepted option, span and service lines attached when the approved document becomes a booking.
The community-festival stage: apply check payment or cash to the booking and leave staff a clear amount still to collect.
A corporate-show combination: the operator chooses whether to enable a confirmation or reminder after details are settled.
One app for every booking
A confirmed hire removes the stock for its whole span, so the deck on a van Thursday is not also promised to a Friday wedding.
Switch on an email confirmation or reminder for the lighting package booking; the operator chooses the message and timing after the hire is settled.
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Yes. A school-event lighting package: keep the selected production kit closed from warehouse test and load through the cable and deck count, including the complete occupied interval.
No. The community-festival stage: collect one starting address; staff add later delivery or return detail to notes.
A corporate-show combination: post check payment manually to the booking. The receipt reduces the visible amount while settlement remains offline.
Yes. The community-festival stage: the organizer can approve an estimate containing lighting package or modular stage package, then staff convert its accepted lines.
Yes. A corporate-show combination: repeat this job on one weekday weekly or fortnightly, ending on a date or after the agreed count.
A school-event lighting package: the exact span returns to that production kit; other confirmed work does not move.