
A season is the bump-in, the run and the bump-out, and all three hold the auditorium whether or not an audience is in it.
Online booking
Offer performance days, rehearsals and dark-night hires around the auditorium diary. A confirmed show removes its full theatre block.
Learn moreOne live timetable
See get-in, rehearsals, performance and get-out on one theatre calendar, with the auditorium, stage and foyer clearly attached.
Learn moreA week in the house is a get-in, a tech, the run and a get-out. Two of those days sell no tickets and every one of them makes the stage unavailable.
The lorry arrives on the Monday and the set does not come down until Saturday night. Block the run and the room is committed for all of it.
A season is one booking with one hirer and one price, not five separate nights that somebody has to keep in step by hand.
The whole block leaves the page at once, so a wedding enquiry cannot be sold the Sunday morning your crew is still striking the set.
A hire brings crew with it. The technical manager, the duty manager and the box office are all working the same week and need the same version of it.
Give each of them their own login and the week they see is the week that is booked, rather than a forwarded email from a fortnight ago.
Pull a get-in forward a day and it moves for everybody at once, with the company, the payment and the agreed plan still attached.
Holding the main house does not hold the rehearsal room, so a smaller hire can still take the space nobody in the run is using.
Built for your venue
Put the theatre online at the price and length you set. Once confirmed, the exact auditorium leaves the page before it can be promised twice.
Repeat the same theatre weekly or monthly on Free, stopping on the last date the familiar arrangement is meant to run.
Protect the full bump-in window while genuine availability around it stays open.
Keep the organiser, stage and setup notes together so the person opening up is not rebuilding the job from messages.
Close only the resources needed for the complete performance run, leaving everything unrelated available.
Start a season with an itemised quote for the house, the crew and the bump-out, kept with the booking.
Pull a bump-in forward a day and the company, the payment and the agreed plan stay attached.
Block the exact period needed for bump-out, reopening the resource only when it is ready.
The stage, the crew, the extra get-out hours and the rehearsal room, itemised on one document the company can approve online. The accepted version stays with the booking, so what was agreed in March is still readable in October.
Keep payment status with the performance block, including offline money recorded on Free and complete online card checkout on Pro.
Pro takes the full venue hire fee by card when the performance block is booked. Record cash or bank transfer manually on Free.
Record cash or bank transfer manually on Free, keeping the venue hire fee visible beside the performance block.
Send an itemised quote for the performance run and agreed extras, then keep later payments with the accepted details.
One app for every booking
A confirmed hire removes the whole run, load-in through load-out, so a second company cannot be sold the Tuesday your set is going up.
Email the company its stage, access time and venue notes before scenery, cast or instruments reach the loading entrance.
Add your whole team and get booking for nothing.
As you grow with us you can go Pro.
Yes. Your public page shows genuinely open theatre time and removes the selected auditorium when the booking is completed.
Yes. Repeat the same theatre weekly or monthly on Free, ending on a chosen date or after the final planned booking.
Yes. Pro takes the full venue hire fee by card when the performance block is booked. Record cash or bank transfer manually on Free.
Yes. Close the exact window needed for bump-in or bump-out while every unaffected resource remains available.
Yes. Set every auditorium up as a separate resource so a confirmed booking removes only that resource and time.
Yes. Itemise the longer performance run and agreed extras, send the quote and keep the accepted version with the booking.
Handle enquiries when your diary is full with clear requests, alternative times and a practical manual waiting list that avoids double bookings.
ReadChoose a booking lead time that allows for preparation, staff and travel, with practical examples for mobile services, venues and classes.
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