
A booking is the load-in, the run and the load-out, and all three hold the theatre whether or not an audience is in it.
Online booking
Offer performance days, rehearsals and dark-night hires around the auditorium schedule. A confirmed show removes its full theatre block.
Learn moreOne live timetable
See get-in, rehearsals, performance and get-out on one theatre calendar, with the auditorium, stage and foyer clearly attached.
Learn moreA week in the house is a get-in, a tech, the run and a get-out. Two of those days sell no tickets and every one of them makes the stage unavailable.
The lorry arrives on the Monday and the set does not come down until Saturday night. Block the run and the room is committed for all of it.
A season is one booking with one hirer and one price, not five separate nights that somebody has to keep in step by hand.
The whole block leaves the page at once, so a wedding enquiry cannot be sold the Sunday morning your crew is still striking the set.
A hire brings crew with it. The technical manager, the duty manager and the box office are all working the same week and need the same version of it.
Give each of them their own login and the week they see is the week that is booked, rather than a forwarded email from a fortnight ago.
Pull a get-in forward a day and it moves for everybody at once, with the company, the payment and the agreed plan still attached.
Holding the main house does not hold the rehearsal room, so a smaller hire can still take the space nobody in the run is using.
Built for your venue
Customers reserve genuine theatre inventory, and the selected auditorium disappears as soon as the booking is complete.
Hold the same theatre weekly or monthly on Free, stopping on a date or after the final session.
Keep load-in, the run and load-out as one held block while the rehearsal room stays bookable.
Reserve the resource and stage requirements together so staff have one current record.
Keep the organizer and performance run details on the booking for a clear handoff.
Create an itemized estimate for the theatre, the crew and the load-out, kept beside the booking.
New dates for a run do not cost you the company, the money taken or the seasons before it.
Block the precise period needed for load-out, leaving every ready resource bookable.
The stage, the crew, the extra get-out hours and the rehearsal room, itemised on one document the company can approve online. The accepted version stays with the booking, so what was agreed in March is still readable in October.
Keep payment status with the performance block, including offline money recorded on Free and complete online card checkout on Pro.
Pro collects the complete venue hire fee online for the performance block. Record cash or bank transfer on Free.
Record cash or bank transfer manually on Free, keeping the venue hire fee visible beside the performance block.
Send an itemised estimate for the performance run and agreed extras, then keep later payments with the accepted details.
One app for every booking
A confirmed hire removes the whole run, load-in through load-out, so a second company cannot be sold the Tuesday your set is going up.
Email the company its stage, access time and venue notes ahead of scenery, cast or instruments reach the loading entrance.
Add your whole team and get booking for nothing.
As you grow with us you can go Pro.
Yes. Your public page shows genuinely open theatre time and removes the selected auditorium when the booking is completed.
Yes. Repeat the same theatre weekly or monthly on Free, ending on a chosen date or after the final planned booking.
Yes. Pro collects the complete venue hire fee online for the performance block. Record cash or bank transfer on Free.
Yes. Close the exact window needed for load-in or load-out while every unaffected resource remains available.
Yes. Set every auditorium up as a separate resource so a confirmed booking removes only that resource and time.
Yes. Itemise the longer performance run and agreed extras, send the estimate and keep the accepted version with the booking.
Handle enquiries when your diary is full with clear requests, alternative times and a practical manual waiting list that avoids double bookings.
ReadChoose a booking lead time that allows for preparation, staff and travel, with practical examples for mobile services, venues and classes.
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