
A hire is the get-in, the run and the get-out, and all three hold the auditorium whether or not an audience is in it.
Online booking
Offer performance days, rehearsals and dark-night hires around the auditorium diary. A confirmed show removes its full theatre block.
Learn moreOne live timetable
See get-in, rehearsals, performance and get-out on one theatre calendar, with the auditorium, stage and foyer clearly attached.
Learn moreA week in the house is a get-in, a tech, the run and a get-out. Two of those days sell no tickets and every one of them makes the stage unavailable.
The lorry arrives on the Monday and the set does not come down until Saturday night. Block the run and the room is committed for all of it.
A season is one booking with one hirer and one price, not five separate nights that somebody has to keep in step by hand.
The whole block leaves the page at once, so a wedding enquiry cannot be sold the Sunday morning your crew is still striking the set.
A hire brings crew with it. The technical manager, the duty manager and the box office are all working the same week and need the same version of it.
Give each of them their own login and the week they see is the week that is booked, rather than a forwarded email from a fortnight ago.
Pull a get-in forward a day and it moves for everybody at once, with the company, the payment and the agreed plan still attached.
Holding the main house does not hold the rehearsal room, so a smaller hire can still take the space nobody in the run is using.
Built for your venue
Customers choose from theatre blocks genuinely free, and the confirmed auditorium session leaves circulation immediately.
Set the same theatre weekly or monthly on Free, choosing when the familiar run comes to an end.
Protect the full booking and get-in time while ordinary sessions carry on around it.
Put the hirer and stage details together so the booking can begin as arranged.
Keep the organiser and production run requirements on one record rather than rebuilding the visit from messages.
Prepare an itemised quote for the house, the crew and the get-out, kept with the booking.
New dates for a run do not break the link to the company, what was paid or the seasons before.
Close the exact window needed for get-out, leaving every ready resource online.
The stage, the crew, the extra get-out hours and the rehearsal room, itemised on one document the company can approve online. The accepted version stays with the booking, so what was agreed in March is still readable in October.
Keep payment status with the performance block, including offline money recorded on Free and complete online card checkout on Pro.
With Pro, collect the full venue hire fee online for the performance block. Record cash or bank transfer manually on Free.
Record cash or bank transfer manually on Free, keeping the venue hire fee visible beside the performance block.
Send an itemised quote covering the get-in, the run and the get-out, then every later payment sits with the accepted version.
One app for every booking
A confirmed hire removes the whole run, load-in through load-out, so a second company cannot be sold the Tuesday your set is going up.
Email the company its stage, access time and venue notes by the time scenery, cast or instruments reach the loading entrance.
Add your whole team and get booking for nothing.
As you grow with us you can go Pro.
Yes. Your public page shows genuinely open theatre time and removes the selected auditorium when the booking is completed.
Yes. Repeat the same theatre weekly or monthly on Free, ending on a chosen date or after the final planned booking.
Yes. With Pro, collect the full venue hire fee online for the performance block. Record cash or bank transfer manually on Free.
Yes. Close the exact window needed for get-in or get-out while every unaffected resource remains available.
Yes. Set every auditorium up as a separate resource so a confirmed booking removes only that resource and time.
Yes. Itemise the get-in, the run, the get-out and any crew, send the quote, and the accepted version stays with the booking.
Handle enquiries when your diary is full with clear requests, alternative times and a practical manual waiting list that avoids double bookings.
ReadChoose a booking lead time that allows for preparation, staff and travel, with practical examples for mobile services, venues and classes.
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