
The model is booked before a single artist is, and paid whether eleven turn up or four, so the places you sell are the whole game.
Online booking
Put up the number of easels that can see the stand and let it come down as places go, instead of finding out on the evening.
Learn moreOne term timetable
Untutored evenings, the tutored class and a Saturday long pose go on together, so the hall booking and the model do not collide.
Learn moreBuilt for you
Timed poses and no tutor, the same dozen most weeks. They take a place beforehand rather than arriving to find the boards gone.
Teaching changes the price and the way the room is set out, so it runs as its own class with fewer places around the stand.
A run of dated evenings sold as one standing weekly booking, so the term is taken at once and appears without being retyped.
Nobody wants the place behind the screen. Set the count to the easels with a real view and the number you put up holds up.
Certain models fill the room. Keep who is booked, and at what rate, on the evening itself so it is put together properly.
The hall is owed whether nine come or nineteen, which is a second cost worth having in front of you well before the day.
One sustained pose across a day, priced differently from an evening and set out with drapes, the stand and the lighting to match.
What has to be out and warm before the first pose belongs on the booking as a note, not with whoever holds the keys.
One person books for the lot of them, so the quote goes first and the model is engaged once it has come back accepted.
When it has to come off, the model is still owed. One cancellation on the class takes the places and the money with it.
The model is engaged and owed before anybody books, so this page is arranged around covering that.
Take drop-ins and a whole winter term on the same evening, let the standing Tuesday repeat on the Free plan, and quote a private group before you engage anyone at all.
See it in action
Schedule
Each session shows the easels sold against the easels you have, so two days out you can see the Wednesday sitting at eleven of sixteen and decide whether to push it or pull it.
Instant booking
A regular books their place and pays for it rather than turning up out of habit, so the number in front of you on the afternoon is the number that will be drawing.
Get paid
Places are charged as they are booked, so the fixed cost of the night is met by money already taken. A private group session is quoted with the model fee itemised.
Less admin, more bookings
Open the day and the class is there: who is modelling, how many places have gone, and what has already been paid.
The hall holds twenty and works at twelve. Put twelve up and nobody appears at a thirteenth easel on the evening itself.
The model is owed the agreed fee either way, so what matters by the afternoon is how many places are actually paid for.
Set up in minutes. 200 bookings a month free, no card needed.
One app for every booking
The hall may hold twenty and draw well at twelve. Put twelve up and the class shuts on the last place rather than letting one more in.
Switch the reminder on and everybody booked has the evening, the start time and what to bring by email, with nothing typed out by hand.
Set the class to the number of places with a view of the stand. Confirmed bookings count down and the evening closes on the last one.
Yes. A weekly or monthly standing booking is on the Free plan and can carry on, finish on a date, or stop after a set number of evenings.
On Pro the artist pays the full place fee by card as they book. On Free, cash and bank transfer are recorded against the booking by hand.
They work best that way, and they can be. Each is its own class with its own price, its own places and its own layout on one timetable.
Yes. List the model, the hall and any teaching on a quote, send it, and keep the accepted version with the booking that comes of it.
The place returns to the count and the evening shows one more free, with the money and the history staying on the one record.